Agustín Barrios Mangoré (May 5, 1885 – August 7, 1944) was an accomplished Paraguayan guitarist and composer. His music was a tribute to different styles: folkloric, classical (especially the Baroque and Romantic style) and religious, as his beliefs and experiences often inspired his works. ‘Aire de Zamba (Manner of Zamba)’ is entirely inspired by folkloric influences.
The “zamba” is a musical style derived from a majestic and elegant dance performed by couples waving handkerchiefs. This style was developed primarily in Argentina, a cultural and racial melting pot. The “zamba” was a result of a mixture of the influences of the native Argentinean, Peruvian, and Chilean traditions (music, rhythm and lyrics), as well as European immigrants’ cultures (costumes, handkerchiefs, steps). The “zamba” soon became one of the favourite musical forms for many South American composers.
Young Barrios’s first introduction to music, before his formal training on the classical guitar at the age of 13, was Paraguayan folk music (including some Latin American genres such as this “zamba”). He effectively creates this piece “in the manner of zamba” as a way to express his national pride.
The music represents a lyrical exchange between majestic introductory sections and romantic vocal sections.